Alchemy   (2000). Nicolaysen Art Museum, Casper, WY (Jan. 17 - May 31, 2003). Collaboration with visual artist Christine Wallers. Spun brass, steel, 20 channels of audio. Sound derived from whispering voices of 32 people reading written responses received from over 300 people to our invitation to imagine change in the world. Individual voices are heard through the bowls (via transducers affixed underneath), set on steel plates suspended from the ceiling; the voices morph into increasingly abstract tones as they flow through the space and gradually subside into silence; groups of unprocessed voices heard through small speakers placed throughout the space.
       
     
   Alchemy   (2000). Old San Ysidro Church, Corrales, NM (Sep. 22 - Oct. 1, 2000). Collaboration with visual artist Christine Wallers. Spun brass, steel, 20 channels of audio. This work was originally conceived as a site-specific installation for this space, but has been shown in other venues.  (photo: Margot Geist)
       
     
   Alchemy   (2000). Center on Contemporary Art, Seattle, WA; presented as part of  In Resonance , curated by Fionn Meade & Robert Millis (Aug. 30 - Oct. 9, 2005).
       
     
   Alchemy   (2000). Nicolaysen Art Museum, Casper, WY (Jan. 17 - May 31, 2003). Collaboration with visual artist Christine Wallers. Spun brass, steel, 20 channels of audio. Sound derived from whispering voices of 32 people reading written responses received from over 300 people to our invitation to imagine change in the world. Individual voices are heard through the bowls (via transducers affixed underneath), set on steel plates suspended from the ceiling; the voices morph into increasingly abstract tones as they flow through the space and gradually subside into silence; groups of unprocessed voices heard through small speakers placed throughout the space.
       
     

Alchemy (2000). Nicolaysen Art Museum, Casper, WY (Jan. 17 - May 31, 2003). Collaboration with visual artist Christine Wallers. Spun brass, steel, 20 channels of audio. Sound derived from whispering voices of 32 people reading written responses received from over 300 people to our invitation to imagine change in the world. Individual voices are heard through the bowls (via transducers affixed underneath), set on steel plates suspended from the ceiling; the voices morph into increasingly abstract tones as they flow through the space and gradually subside into silence; groups of unprocessed voices heard through small speakers placed throughout the space.

   Alchemy   (2000). Old San Ysidro Church, Corrales, NM (Sep. 22 - Oct. 1, 2000). Collaboration with visual artist Christine Wallers. Spun brass, steel, 20 channels of audio. This work was originally conceived as a site-specific installation for this space, but has been shown in other venues.  (photo: Margot Geist)
       
     

Alchemy (2000). Old San Ysidro Church, Corrales, NM (Sep. 22 - Oct. 1, 2000). Collaboration with visual artist Christine Wallers. Spun brass, steel, 20 channels of audio. This work was originally conceived as a site-specific installation for this space, but has been shown in other venues. (photo: Margot Geist)

   Alchemy   (2000). Center on Contemporary Art, Seattle, WA; presented as part of  In Resonance , curated by Fionn Meade & Robert Millis (Aug. 30 - Oct. 9, 2005).
       
     

Alchemy (2000). Center on Contemporary Art, Seattle, WA; presented as part of In Resonance, curated by Fionn Meade & Robert Millis (Aug. 30 - Oct. 9, 2005).